![]() Software simulation of the tone-hole lattice in Clarinet-like systems pp. 78–85 (full paper)Ĭomparison of mouthpiece pressure signal and reed bending signal on clarinet and saxophone p. 86 (abstract) Influence of mouthpiece geometry on saxophone playing pp. 71–77 (full paper) Questionnaire: Satisfaction on the E-flat clarinet p. 70 (abstract) Parameter ranges for artificial bassoon playing pp. 64–69 (full paper) Influence of the truncation length of the oboe cone on the reed closing time pp. 59–63 (full paper)Ĭarral, Sandra and Chatziioannou, Vasileios Improving a G-high clarinet using measurement data and electronic circuit analysis program pp. 52–58 (full paper) Periodic and quasi-periodic regimes of an alto saxophone according to the control parameters and the bore inharmonicity p. 44 (abstract)ĭoc, Jean-Baptiste and Vergez, ChristopheĬomparison between the measured and played intonation on four e-flat clarinets in the altissimo register pp. 45–51 (full paper) Kergomard, Jean Lefebvre, Antoine and Scavone, Gary Shi, Yong Da Silva, Andrey and Scavone, GaryĪnalytical model of the transition between cylinder and conical tubes p. 43 (abstract) LBM Simulation of the quasi-static flow in a clarinet pp. 35–42 (full paper) Tournemenne, Robin Petiot, Jean-François and Gilbert, Joëlĭoes an experienced recorder player start notes differently than a novice player? p. 30 (abstract)Īn acoustical analysis of waveline flute tube joints pp. 31–34 (full paper) ![]() Inharmonicity of a trumpet with a variable depth mouthpiece p. 21 (abstract) Pitch shifts in wind instruments due to changes in air composition pp. 15–20 (full paper)īalasubramanian, Saranya and Kausel, Wilfried Kemp, Jonathan Lopez-Carromero, Amaya Woolley, Alan and Campbell, Murray Playing above and below the resonance: the changing relative phases of pressure, flow and trombonists’ lip motion p. 8 (abstract)īoutin, Henri Smith, John and Wolfe, JoeĮxperimental investigation of Doppler shift and infrasound generation during wave propagation within the bore of the Trombone during slide movement pp. 9–14 (full paper) Hruška, Viktor Švejda, Martin and Guštar, Milan Transients of the trumpet tone: Basic links between perception and measurements of lips opening area and pressure in player's mouth pp. 4–7 (full paper) Velut, Lionel Vergez, Christophe Gilbert, Joël and Sanchez, Patrick Simultaneous and in vivo measurements of control parameters used in trumpet performance p. 3 (abstract) The instrument is available for evaluation in the free trial version of Pianoteq which can be downloaded from the website.Bridging the gaps in the harmonic series: Valves, slides and finger holes in brass instruments. The Hohner Pianet N is part of the Hohner Collection instrument pack, which is sold 49€/$59 and requires the latest 5.4 version of Pianoteq. A sustain pedal was also added, and the physical properties of the instruments can be modified.īesides the Pianet N, the latest version 5.4 of Pianoteq introduces a neat “Fuzz” effect for achieving sharp/squeaky distortion, simulating the sound of a damaged guitar amplifier. This virtual rendition benefits from Pianoteq’s physical modelling engine, with the octave range extended to seven octaves. Its sound is described as “complex and warm, with bass notes that growl and purr coupled and a bright percussive treble”. The (original) electro-mechanical piano Pianet N appeared in 1965 and quickly gained popularity among many pop and rock groups at the time due to its distinctive voice that allowed it to cut through in a mix, while its size and weight appealed to touring musicians. This physically modelled instrument joins the brand’s Pianet T, Electra-piano and Clavinet D6 models, all approved and authorized by Hohner.
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